The main character is a young girl Masha, an employee of the bank and an incorrigible romantic. Her unlucky marriage breaks up, and the girl is trying to arrange her personal life. Masha meets three men. One is a famous TV presenter, the second is a famous musician, and the third is a scandalous politician. But ... disappointment follows disappointment. And as soon as the girl decides to start a new life, suddenly happiness comes in her life in the person of the long-awaited man whom she was looking for ...

A large monster attacks Japan, but dies suddenly. While the people rejoice and bask in relief, the giant corpse left behind begins to slowly rot and bloat. If it explodes, the nation will be destroyed.

On TJ's 18th birthday, a stranger delivers him a key from his father, last seen as he was hauled off to prison eight years earlier. With the key is an address for a proposed meeting – 3000 miles away and in two weeks. The key unlocks a timeworn 1968 convertible, with a coffin welded to its floor. With each decision that follows, TJ plunges deeper into the mysterious and beautiful landscapes we all navigate – on our own, with our tribe, through the shifting turns of the road ahead.

The most problematic aspect of Zsolt Kézdi-Kovács's films is the political motif of The Right to Hope, which is incomprehensible from a child's point of view and therefore disrupts the unified soul. The film works just as well without it, and it really works without the element of logical incoherence it introduces into the story. All of this highlights a directorial virtue that was rare in this period. Zsolt Kézdi-Kovács is able to dramatise personal conflicts that arise purely from within.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

In a uniquely hilarious odyssey of self-discovery and cultural observation, documentary filmmaker and self-described "anxious New Yorker" John Wilson covertly and obsessively films the lives of his fellow New Yorkers while attempting to give everyday advice on relatable topics. The awkward contradictions of modern life are eased by Wilson’s candid, unpolished commentary. Building upon Wilson’s previously released "how to" short films, each episode takes wildly unexpected turns but is grounded in John's refreshing honesty.

After spending many years as husband and wife, the architect Andrea discovers that his partner Francesca is cheating on him with Ernesto, his best friend. Andrea decides to forgive them, but as time passes he realizes that he wants to win Francesca back and decides to play all his cards during his rival's absence...

In 1992, Phet, a young singer in a pub, dreams of being famous with his supportive girlfriend Preapim. But Pim's father didn't like Phet, so he planned Pim's engagement with Pisanu. Pim and Phet then fled to live together in Hua Hin. One day, both of them went to visit the temple fair where they argue and get separated. Phet meets a fortuneteller who takes him 20 years into the future. There, he sees the much older Pim with her daughter and husband Phitsanu. Going to his old house, Phet learns that he died on the night of the temple fair with Pim. He then decides to stay in the future to investigate the cause of his own death, in order to go back and fix the past events and not let himself die.